Opposites
do attract on so many levels. Growing up, she was the shiest
Asian-American in metropolitan Los Angeles and he was a rebel-rouser in small
town Peoria, Illinois. If they went to the same high school, they would
have hung out in very different circles. They probably wouldn’t have said
two words to each other. Ironically, they were both very studious.
She went to college to study Chemistry and he studied Biochemistry. Both
got their Masters in Business Administration. But she was the nerd who
sat in the front row taking notes, and he was the smart ass who loved
challenging the teachers and making the other students laugh. They also
had an affinity for music. She took private piano lessons for ten years
and joined the church choir. He trained in piano, cello and bass guitar,
and composed and produced his own songs.
His
home town evidently became too small for him because at twenty-one years old,
he packed his bags into a rickety old Dodge and drove to Los Angeles in search
of something. A few years later, she graduated from college and joined
the workforce. Their paths crossed for the first time at a large nutrition
company, both having landed jobs in the same department. She was still
the good girl, attentive and respectful during meetings, and he still had the rebellious
streak, constantly challenging protocols and procedures. But they were
intrigued by each other and began spending time outside of the office.
They each liked being with someone who was so different from themselves.
Of course there were clashes. She would tell him to slow down and try to
follow the rules for once. He would tell her to stop holding herself back
and be a little more crazy. This tug of war only accelerated their
evolution as people and developed into a bond that was unshakeable. They knew
each other's strengths and weaknesses, helped to foster each other's talents
and had each other’s backs at all times.
Life
grew stable and he again began searching for meaning in what had become a
predictable professional path. They took trips to Brazil, Philippines,
Italy, France and Turkey, but it only intensified their desire to experience
new frontiers. At the time, the Middle East was constantly in the news,
its people and their religious beliefs largely enigmatic or misunderstood by
the western world. Perhaps the answer to what they were searching for lay
there. After much deliberation, they jumped the corporate ship and moved
to Turkey. Living overseas was everything they had imagined and more.
Their time there provided the opportunity to reflect and also brought them into
close contact with causes that became dear to their hearts. During this
time, they also faced countless challenges, including tacit accusations of
being CIA agents (why else would a couple with their education, martial arts
training and no apparent business ties settle there?) After two years living
abroad, they just woke up one day, gazed across the splendid vista of the
Mediterranean and knew it was time to return. But the life they would
return to was destined to be different this time. Their time in the
volatile Middle East had somehow given them clarity of purpose and the
confidence to enter a different type of war zone - the music industry. They
moved back to Los Angeles to create music together.
Like most creative works, the process was
a bit like alchemy. Melodies would come to him during the night and he would
record a rough vocal take on his Android phone in the darkness, half asleep
with eyes squinting. They'd write lyrics over the breakfast table or in a cafe
and took their time cultivating each song. Then they would record their voices,
hers a soft soprano and his, a steady tenor. They would both smile at
each other when it sounded and felt right, and laugh hysterically when it
didn't. Composing, producing and mastering were all done by him. They had been
back in Los Angeles about a year and were performing at The Roxy on Sunset
Boulevard. That's when things began to happen. One of the audience
members turned out to be Ken Wilson, the Arista and Warner Brothers executive
behind Alicia Keys, Mariah Carey and K-Ci & JoJo among others. Ken had
enjoyed their set and invited them over to his table afterwards. He then
said something that would change their view forever and open up a new window.
He pointed to the crowd and said, “Look at all of those people in their shirts
and jeans with a drink in hand after a long day at work. You talk like them and
you dress like them, but you’re not like them. You need to let the freak out.”
And with that simple bit of advice, the last vestiges of doubt fell away.
Thenceforth, they continued to consult with Ken, whose sage advice proved
invaluable. They also began working closely with Kevin Black, the Interscope
executive behind Eminem, Black Eyed Peas, Snoop Dogg, Gwen Stefani &
Prince, Kevin's partner Jahnei Neamo, and BJ Lobermann of Virgin Music. On the
production side, Nalo Duvalle, Omer Avni, Adam Peri, Andrew Achilleos, Javier
Mosley and Gordon McGinnis were among the multi-platinum producers who helped
them to refine their sound. However, such collaborations occurred sparingly in
order to preserve the creative integrity of their music. In general, they
learned to heed advice that resonated with them, while other suggestions like ‘Let’s
bring in a team of songwriters', ‘Let’s get artist X to sing this hook', 'Let’s
get four strippers in bikinis to dance on stage' or ‘Don't let people know
you’re a couple’ were all politely put aside. They knew who they were
and what they wanted. Throughout this process, they truly came into their own
style, music and purpose.
That
was two years ago. They now call themselves Millennium. They half-joke that
they will be together for a thousand years. She is Sapphire and he is
Stryker. The origin of their names is not known. Their debut album Fusion
is a collection of songs in a range of genres, such as pop rock, dance, funk
and reggae, inspired by their life-changing journey together. It is a
story of the fusion of two lives into one and the exultant and difficult times
shared throughout the years. Having been among the first to hear the
album (which is due to land in stores in the near future), I can say that it is
rare for such a combination of songwriting ability, musicianship and
artistic identity to occupy the same space and time- perhaps occurring only
once in a generation. Millennium's first single ‘When We Walk In The Place’ is
a bold dance song about embracing one’s own personal style. From a couple that
has walked all around the world and back, this song carries added weight.
The truth is, even before they donned the spikes, jewels and furs, the couple
drew attention. People here and overseas would comment that they had this
positive energy. But until they learned to take risks and embrace their own
identity, that energy had been largely muted. And so the opposites that we
invite into our lives, be them our choice of relationships, new living
environment or career, wind up serving the vital role of testing and defining
us. If we live our lives in the safe lane, we never acquire that
self-knowledge. And without that, other knowledge we acquire really doesn't add
up to much. Such has been the journey of Millennium. Back from a soul-searching
stay in the Middle East, one thing is clear: Personal style is definitely
something that these Sultans of Swag have got locked down. The next step is up
to them.
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